John Sandford –
In Israel, a man clutching a backpack searches desperately for a boat. In Minnesota, Virgil Flowers gets a message from Lucas Davenport: You’re about to get a visitor. It’s an Israeli cop, and she’s tailing a man who’s smuggled out an extraordinary relic—an inscribed stone revealing startling details about the man known as King Solomon. Wait a minute, laughs Virgil. Is this one of those Da Vinci Code deals? The secret scroll, the blockbuster revelation, the teams of murderous bad guys? Should I be boning up on my Bible verses?
He looks at the cop. She’s not laughing. As it turns out, there are very bad men chasing the relic, and they don’t care who’s in the way or what they have to do to get it. Maybe Virgil should start praying.
The Gallery of Vanished Husbands. Natasha Solomons. London, 1958. It’s the eve of the sexual revolution, but in Juliet Montague’s conservative Jewish community where only men can divorce women, she ¬finds herself a living widow, invisible. Ever since her husband disappeared seven years ago, Juliet has been a hardworking single mother of two and unnaturally practical. But on her thirtieth birthday, that’s all about to change. A wealthy young artist asks to paint her portrait, and Juliet, moved by the powerful desire to be seen, enters into the burgeoning art world of 1960s London, which will bring her fame, fortune, and a life-long love affair.
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