Archive | Large Print Books

Marcia Willett

Beloved novelist Marcia Willett continues to captivate readers with her inspiring novels about family, friendship, and love. In Postcards from the Past Siblings Billa and Ed share their beautiful, grand old childhood home in rural Cornwall. With family and friends nearby, and their living arrangements free and easy, they seem as contented as they can be.
But when postcards start arriving from a sinister figure they thought belonged well and truly in their pasts, old memories are stirred. Why is he contacting them now? And what has he been hiding all these years?

Lisa Unger

Darkness has a way of creeping up when Ian is with Priss. Even when they were kids, playing in the woods of their small Upstate New York town, he could feel it. Still, Priss was his best friend, his salvation from the bullies who called him “loser” and “fatboy”…and from his family’s deadly secrets.

Now that they’ve both escaped to New York City, Ian no longer inhabits the tortured shell of his childhood. He is a talented and successful graphic novelist, and Priss…Priss is still trouble. The booze, the drugs, the sex—Ian is growing tired of late nights together trying to keep the past at bay. Especially now that he’s met sweet, beautiful Megan, whose love makes him want to change for the better. But Priss doesn’t like change. Change makes her angry. And when Priss is angry, terrible things begin to happen…

Victoria Thompson

In this Gaslight Mystery from the national bestselling author ofMurder in Murray Hill, midwife Sarah Brandt and Detective Sergeant Frank Malloy investigate foul play in the secretive high-society world of nineteenth-century New York City…

In the midst of Sarah and Frank’s wedding preparations, Sarah accompanies her mother on a condolence call to the Upper West Side, where Charles Fairfax, the son of family friends, has died unexpectedly after suffering from a mysterious disease. It is a tragic and all too common story—or so it seems. Charles’s father asks to speak with Sarah privately. He believes his son was poisoned and would like Sarah and Frank to look into the matter with the utmost discretion.

Putting their own personal affairs on hold, Sarah and Frank soon learn that not everyone wants to know more about Charles’s death, particularly if he was murdered. As they unravel secrets that reach back to the War Between the States, they also discover that they are in the company of a very present danger…

Nancy Thayer

Sensible thirty-six-year-old Sophie Anderson has always known what to do. She knows her role in life: supportive wife of a successful architect and calm, capable mother of two. But on a warm summer night, as the house grows quiet around her and her children fall asleep, she wonders what’s missing from her life. When her husband echoes that lonely question, announcing that he’s leaving her for another woman, Sophie realizes she has no idea what’s next. Impulsively renting a guest cottage on Nantucket from her friend Susie Swenson, Sophie rounds up her kids, Jonah and Lacey, and leaves Boston for a quiet family vacation, minus one.

Also minus one is Trevor Black, a software entrepreneur who has recently lost his wife. Trevor is the last person to imagine himself, age thirty and on his own, raising a little boy like Leo—smart and sweet, but grappling constantly with his mother’s death, growing more and more closed off. Hoping a quiet summer on the Nantucket coast will help him reconnect with Leo, Trevor rents a guest house on the beautiful island from his friend Ivan Swenson.

Best-laid plans run awry when Sophie and Trevor realize they’ve mistakenly rented the same house. Still, determined to make this a summer their kids will always remember, the two agree to share the Swensons’ Nantucket house. But as the summer unfolds and the families grow close, Sophie and Trevor must ask themselves if the guest cottage is all they want to share.

Inspiring and true to life, The Guest Cottage is Nancy Thayer at her finest, inscribing in graceful, knowing prose matters of the heart and the meaning of family.

Jane Tesh

David Randall, a private detective short of work, invites his psychic friend Camden into a case. Miss Viola Mitchell, an aging local actress, has recently been reported missing. The Parkland PD’s Jordan Finley objects to Randall and Cam inspecting Viola’s home, claiming the police don’t need their help. Moments later, despite the array of birds and cats perfuming the residence, Cam advises Finley, “Check the basement.” Viola is neatly planted there in a square of dirt. Who would kill her? Why? Are others targeted? Is a local performer twisted by jealousy? Could a role in a Parkland Little Theatre production, maybe My Fair Lady or Arsenic and Old Lace, have caused her death? Cam goes undercover at the theater while rejecting demands from his fiancée that they marry this month.
His psychic gifts have expanded to levitate objects, make garbage cans dance in the street, and restrain a car from hitting a lady. He fears for their children. She wants to put him on television. Meanwhile, a new Grace Street client, owner of popular BeautiQueen Cosmetics, is searching for her arrogant, absconding partner. Randall tracks him to Clearwater, Florida, and soon finds himself chasing shoplifters stealing pharmaceuticals and helping a jazz musician woo his woman while failing to woo his own love, Kary. Will Randall and Cam piece all this together?

Garth Stein

When a boy tries to save his parents’ marriage, he uncovers a legacy of family secrets in a coming-of-age ghost story by the author of the internationally bestselling phenomenon, The Art of Racing in the Rain. In the summer of 1990, fourteen-year-old Trevor Riddell gets his first glimpse of Riddell House. Built from the spoils of a massive timber fortune, the legendary family mansion is constructed of giant, whole trees, and is set on a huge estate overlooking Puget Sound. Trevor’s bankrupt parents have begun a trial separation, and his father, Jones Riddell, has brought Trevor to Riddell House with a goal: to join forces with his sister, Serena, dispatch Grandpa Samuel—who is flickering in and out of dementia—to a graduated living facility, sell off the house and property for development into “tract housing for millionaires,” divide up the profits, and live happily ever after.

But Trevor soon discovers there’s someone else living in Riddell House: a ghost with an agenda of his own. For while the land holds tremendous value, it is also burdened by the final wishes of the family patriarch, Elijah, who mandated it be allowed to return to untamed forestland as a penance for the millions of trees harvested over the decades by the Riddell Timber company. The ghost will not rest until Elijah’s wish is fulfilled, and Trevor’s willingness to face the past holds the key to his family’s future.

A Sudden Light is a rich, atmospheric work that is at once a multigenerational family saga, a historical novel, a ghost story, and the story of a contemporary family’s struggle to connect with each other. A tribute to the natural beauty of the Pacific Northwest, it reflects Garth Stein’s outsized capacity for empathy and keen understanding of human motivation, and his rare ability to see the unseen: the universal threads that connect us all.

Lisa Samson

It’s a wonder to behold what happens when love moves in . . .

Former child star Fiona Hume deserted the movie biz a decade ago–right after she left rehab. She landed in Baltimore, bought a dilapidated old mansion downtown, and hatched dreams of restoring it into a masterpiece, complete with a studio for herself. She would disappear from public view and live an artist’s life.

That was the plan. Ten years later, Fiona’s huge house is filled with junk purchased at thrift stores, haggled over at yard sales, or picked up from the side of the road. Each piece was destined for an art project . . . but all she’s got so far is a piece of twine with some antique buttons threaded down its length.

She’s thirty-two years old and still recognizable, but Fiona’s money has finally run out. She’s gotten pretty desperate, too, and in her desperation she’s willing to do almost anything for money. Almost. So it is that she comes to rent out the maid’s quarters to a local blacksmith named Josia Yeu.

Josia is everything Fiona isn’t: gregarious, peaceful, in control without controlling . . . in short, happy. As the light from the maid’s quarters begins to permeate the dank rooms of Fiona’s world, something else begins to transform as well–something inside Fiona. Something even she can see is beautiful.

Amanda Quick

The Kern Secretarial Agency provides reliable professional services to its wealthy clientele, and Anne Clifton was one of the finest women in Ursula Kern’s employ. But Miss Clifton has met an untimely end—and Ursula is convinced it was not due to natural causes.

Archaeologist and adventurer Slater Roxton thinks Mrs. Kern is off her head to meddle in such dangerous business. Nevertheless, he seems sensible enough to Ursula, though she does find herself unnerved by his self-possession and unreadable green-gold eyes…

If this mysterious widowed beauty insists on stirring the pot, Slater intends to remain close by as they venture into the dark side of polite society. Together they must reveal the identity of a killer—and to achieve their goal they may need to reveal their deepest secrets to each other as well…

Michael Palmer

Dr. Carrie Bryant’s four years as a neurosurgical resident at White Memorial Hospital have earned her the respect and admiration from peers and staff alike. When given the chance of performing her first unsupervised brain surgery, Carrie jumps at the opportunity.
What should have been a routine, hours long operation, turns horribly wrong and jeopardizes her patient’s life. Emotionally and physically drained, Carrie is rushed back to the OR to assist in a second surgery. There, she makes a careless and tragic mental error resulting in irreparable brain damage to her second patient. With her confidence shattered, Carrie quits her residency and moves back home where her younger brother, Adam, a combat vet suffering from debilitating PTSD, also lives.
When Carrie learns about an experimental program at the VA Medical Center exploring the use of Deep Brain Stimulation (DBS) that could forever cure the emotional and memory trauma of PTSD, it seems like a way back into medicine. Carrie is apprehensive, but a chance meeting with David Hoffman, a reporter for the Lowell Observer writing a story on PTSD, helps her overcome any hesitation.
Her first surgery appears to be a success until her patient mysteriously vanishes. When a second patient also goes missing, Carrie employees the investigative skills of David, and together they descend into a labyrinth of murder and corruption. And the price Carrie might pay for asking the wrong questions could be her life.

Ann Packer

Bill Blair finds the land by accident, three wooded acres in a rustic community south of San Francisco. The year is 1954, long before anyone will call this area Silicon Valley. Struck by a vision of the family he has yet to create, Bill buys the property on a whim. In Penny Greenway he finds a suitable wife, a woman whose yearning attitude toward life seems compelling and answerable, and they marry and have four children. Yet Penny is a mercurial housewife, at a time when women chafed at the conventions imposed on them. She finds salvation in art, but the cost is high.

Thirty years later, the three oldest Blair children, adults now and still living near the family home, are disrupted by the return of the youngest, whose sudden presence and all-too-familiar troubles force a reckoning with who they are, separately and together, and set off a struggle over the family’s future. One by one, the siblings take turns telling the story–Robert, a doctor like their father; Rebecca, a psychiatrist; Ryan, a schoolteacher; and James, the malcontent, the problem child, the only one who hasn’t settled down-their narratives interwoven with portraits of the family at crucial points in their history.