Archive | Large Print Books

Jane Tesh

David Randall, a private detective short of work, invites his psychic friend Camden into a case. Miss Viola Mitchell, an aging local actress, has recently been reported missing. The Parkland PD’s Jordan Finley objects to Randall and Cam inspecting Viola’s home, claiming the police don’t need their help. Moments later, despite the array of birds and cats perfuming the residence, Cam advises Finley, “Check the basement.” Viola is neatly planted there in a square of dirt. Who would kill her? Why? Are others targeted? Is a local performer twisted by jealousy? Could a role in a Parkland Little Theatre production, maybe My Fair Lady or Arsenic and Old Lace, have caused her death? Cam goes undercover at the theater while rejecting demands from his fiancée that they marry this month.
His psychic gifts have expanded to levitate objects, make garbage cans dance in the street, and restrain a car from hitting a lady. He fears for their children. She wants to put him on television. Meanwhile, a new Grace Street client, owner of popular BeautiQueen Cosmetics, is searching for her arrogant, absconding partner. Randall tracks him to Clearwater, Florida, and soon finds himself chasing shoplifters stealing pharmaceuticals and helping a jazz musician woo his woman while failing to woo his own love, Kary. Will Randall and Cam piece all this together?

Garth Stein

When a boy tries to save his parents’ marriage, he uncovers a legacy of family secrets in a coming-of-age ghost story by the author of the internationally bestselling phenomenon, The Art of Racing in the Rain. In the summer of 1990, fourteen-year-old Trevor Riddell gets his first glimpse of Riddell House. Built from the spoils of a massive timber fortune, the legendary family mansion is constructed of giant, whole trees, and is set on a huge estate overlooking Puget Sound. Trevor’s bankrupt parents have begun a trial separation, and his father, Jones Riddell, has brought Trevor to Riddell House with a goal: to join forces with his sister, Serena, dispatch Grandpa Samuel—who is flickering in and out of dementia—to a graduated living facility, sell off the house and property for development into “tract housing for millionaires,” divide up the profits, and live happily ever after.

But Trevor soon discovers there’s someone else living in Riddell House: a ghost with an agenda of his own. For while the land holds tremendous value, it is also burdened by the final wishes of the family patriarch, Elijah, who mandated it be allowed to return to untamed forestland as a penance for the millions of trees harvested over the decades by the Riddell Timber company. The ghost will not rest until Elijah’s wish is fulfilled, and Trevor’s willingness to face the past holds the key to his family’s future.

A Sudden Light is a rich, atmospheric work that is at once a multigenerational family saga, a historical novel, a ghost story, and the story of a contemporary family’s struggle to connect with each other. A tribute to the natural beauty of the Pacific Northwest, it reflects Garth Stein’s outsized capacity for empathy and keen understanding of human motivation, and his rare ability to see the unseen: the universal threads that connect us all.

Lisa Samson

It’s a wonder to behold what happens when love moves in . . .

Former child star Fiona Hume deserted the movie biz a decade ago–right after she left rehab. She landed in Baltimore, bought a dilapidated old mansion downtown, and hatched dreams of restoring it into a masterpiece, complete with a studio for herself. She would disappear from public view and live an artist’s life.

That was the plan. Ten years later, Fiona’s huge house is filled with junk purchased at thrift stores, haggled over at yard sales, or picked up from the side of the road. Each piece was destined for an art project . . . but all she’s got so far is a piece of twine with some antique buttons threaded down its length.

She’s thirty-two years old and still recognizable, but Fiona’s money has finally run out. She’s gotten pretty desperate, too, and in her desperation she’s willing to do almost anything for money. Almost. So it is that she comes to rent out the maid’s quarters to a local blacksmith named Josia Yeu.

Josia is everything Fiona isn’t: gregarious, peaceful, in control without controlling . . . in short, happy. As the light from the maid’s quarters begins to permeate the dank rooms of Fiona’s world, something else begins to transform as well–something inside Fiona. Something even she can see is beautiful.

Amanda Quick

The Kern Secretarial Agency provides reliable professional services to its wealthy clientele, and Anne Clifton was one of the finest women in Ursula Kern’s employ. But Miss Clifton has met an untimely end—and Ursula is convinced it was not due to natural causes.

Archaeologist and adventurer Slater Roxton thinks Mrs. Kern is off her head to meddle in such dangerous business. Nevertheless, he seems sensible enough to Ursula, though she does find herself unnerved by his self-possession and unreadable green-gold eyes…

If this mysterious widowed beauty insists on stirring the pot, Slater intends to remain close by as they venture into the dark side of polite society. Together they must reveal the identity of a killer—and to achieve their goal they may need to reveal their deepest secrets to each other as well…

Michael Palmer

Dr. Carrie Bryant’s four years as a neurosurgical resident at White Memorial Hospital have earned her the respect and admiration from peers and staff alike. When given the chance of performing her first unsupervised brain surgery, Carrie jumps at the opportunity.
What should have been a routine, hours long operation, turns horribly wrong and jeopardizes her patient’s life. Emotionally and physically drained, Carrie is rushed back to the OR to assist in a second surgery. There, she makes a careless and tragic mental error resulting in irreparable brain damage to her second patient. With her confidence shattered, Carrie quits her residency and moves back home where her younger brother, Adam, a combat vet suffering from debilitating PTSD, also lives.
When Carrie learns about an experimental program at the VA Medical Center exploring the use of Deep Brain Stimulation (DBS) that could forever cure the emotional and memory trauma of PTSD, it seems like a way back into medicine. Carrie is apprehensive, but a chance meeting with David Hoffman, a reporter for the Lowell Observer writing a story on PTSD, helps her overcome any hesitation.
Her first surgery appears to be a success until her patient mysteriously vanishes. When a second patient also goes missing, Carrie employees the investigative skills of David, and together they descend into a labyrinth of murder and corruption. And the price Carrie might pay for asking the wrong questions could be her life.

Ann Packer

Bill Blair finds the land by accident, three wooded acres in a rustic community south of San Francisco. The year is 1954, long before anyone will call this area Silicon Valley. Struck by a vision of the family he has yet to create, Bill buys the property on a whim. In Penny Greenway he finds a suitable wife, a woman whose yearning attitude toward life seems compelling and answerable, and they marry and have four children. Yet Penny is a mercurial housewife, at a time when women chafed at the conventions imposed on them. She finds salvation in art, but the cost is high.

Thirty years later, the three oldest Blair children, adults now and still living near the family home, are disrupted by the return of the youngest, whose sudden presence and all-too-familiar troubles force a reckoning with who they are, separately and together, and set off a struggle over the family’s future. One by one, the siblings take turns telling the story–Robert, a doctor like their father; Rebecca, a psychiatrist; Ryan, a schoolteacher; and James, the malcontent, the problem child, the only one who hasn’t settled down-their narratives interwoven with portraits of the family at crucial points in their history.

Nancy Naigle

Adams Grove is mourning the loss of Pearl Clemmons, known for her award-winning chocolate pecan pie and the best unsolicited advice in the county. When Jill returns to settle her grandmother’s estate, she’s greeted by a Clydesdale-sized guardian dog who doesn’t seem to be earning his stripes (although he drools on them pretty well), and Garrett Malloy, the ex-fiancé she left behind a year ago.

Jill insists on staying at Pearl’s amidst a string of break-ins that have sleepy Adams Grove wide awake and locking its doors. Jill’s past with Garrett becomes the least of her worries when she learns that their lives are in danger. She is the only person standing between a desperate conman and a secret from Pearl’s past.

Will Pearl’s past kill any chance of Jill and Garrett’s future together?

Emma Miller

When the Amish community of Stone Mill, Pennsylvania, refuses to discuss a murder with the police, it’s up to Rachel Mast to bridge the cultural gap and stop a killer from striking again. . .

While swimming in a local quarry, Rachel and her cousin Mary Aaron discover the body of an Amish girl, fully clothed in her white bonnet, floating face down in the water. The drowned young woman, Beth Glick, had left Stone Mill and her Old Order Amish life a year ago, causing her to be shunned by her family and her people.

But if Beth had joined the English world, why was she found dressed in Amish clothing and strangled? Rachel’s boyfriend, police detective Evan Park, is getting nowhere with questioning Beth’s family. He’s also troubled over the fate of three other Amish girls who left Stone Mill in the last two years. As someone who gave up the Plain lifestyle herself then returned to operate a B&B, Rachel is able to use her ties to the community to learn more about the missing girls. But when her search eventually leads to the dark underbelly of the secular world, Rachel finds her own life in dire jeopardy. . .

Alyssa Maxwell

For Newport, Rhode Island’s high society, the summer of 1896 brings lawn parties, sailboat races…and murder. Having turned down the proposal of Derrick Andrews, Emma Cross has no imminent plans for matrimony—let alone motherhood. But when she discovers an infant left on her doorstep, she naturally takes the child into her care. Using her influence as a cousin to the Vanderbilts and a society page reporter for theNewport Observer , Emma launches a discreet search for the baby’s mother.

One of her first stops is a lawn party at Mrs. Caroline Astor’s Beechwood estate. But an idyllic summer’s day is soon clouded by tragedy. During a sailboat race, textile magnate Virgil Monroe falls overboard. There are prompt accusations of foul play—and even Derrick Andrews falls under suspicion. Deepening the intrigue, a telltale slip of lace may link the abandoned child to the drowned man. But as Emma navigates dark undercurrents of scandalous indiscretions and violent passions, she’ll need to watch her step to ensure that no one lowers the boom on her…

Donna Leon

Donna Leon’s Death at La Fenice, the first novel in her beloved Commissario Guido Brunetti series, introduced readers to the glamorous and cutthroat world of opera and one of Italy’s finest living sopranos, Flavia Petrelli—then a suspect in the poisoning of a renowned German conductor. Years after Brunetti cleared her name, Flavia has returned to Venice and La Fenice to sing the lead in Tosca.

Brunetti and his wife, Paola, attend an early performance, and Flavia receives a standing ovation. Back in her dressing room, she finds bouquets of yellow roses—too many roses. Every surface of the room is covered with them. An anonymous fan has been showering Flavia with these beautiful gifts in London, St. Petersburg, Amsterdam, and now, Venice, but she no longer feels flattered. A few nights later, invited by Brunetti to dine at his in-laws’ palazzo, Flavia confesses her alarm at these excessive displays of adoration. And when a talented young Venetian singer who has caught Flavia’s attention is savagely attacked, Brunetti begins to think that Flavia’s fears are justified in ways neither of them imagined. He must enter in the psyche of an obsessive fan before Flavia, or anyone else, comes to harm.